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Nik Patel, David Lowery, and Chris Castle feature in this podcast where they discuss the current issues of artists' rights in the music industry. Website: https://artistrightswatch.com Facebook: https://www.facebook.com/artistrightswatch Twitter: https://twitter.com/ArtistRights?s=20 Terms of Use: https://artistrightswatchdotcom.files.wordpress.com/2021/01/arw-podcast-terms-of-use-v-1-i-1.pdf
Episodes
Wednesday Jul 07, 2021
Wednesday Jul 07, 2021
Nik Patel, David Lowery, and Chris Castle feature in this podcast where they discuss the current issues of artists’ rights in the music industry. Don't forget to subscribe, rate, and share!
On this episode of the Artist Rights Watch, Nik Patel, David Lowery, and Chris Castle sit down with music advocate, Mala Sharma to talk about the latest legislations in music policy in the state of Georgia. Mala Sharma started writing pieces for friends in bands which then lead to working with a small indie label in Athens, GA. Sharma then went from doing PR for musical acts to managing a band. Because of this job, she became really connected within the industry and landed a job as Rick Ruben’s executive assistant and head of production. Sharma worked in the production space for a while and started running a label that was an affiliate of Sony named 57 Records. And if that wasn’t enough, she pivoted yet again and moved to an entertainment banking firm. From there, she lands at your current destination in Georgia Music Partners.
Below are some links for further reading on Georgia music policy and the legislations we discussed in the episode:
HB 226 Introduced by Representative Gregg Kennard( D-Lawrenceville Ga District 102). This bill would exempt sales and use tax for tickets and fees for fine arts performances. This bill would re-instate an exemption that existed a few years back that ended due to sunset clause. For theatres, fine art centres that are suffering during Covid, this would provide additional opportunity for them to recover.
SB 157 Senator Bill Cowsert(R- Athens District 46) will reintroduce this bill from last year. It aims to protect the trademark of musical recording artists. 35 states have already passed this protection for legacy artists. Mary Wilson, was a big supporter of this bill and moving forward will be called the Mary Wilson Truth in Music Advertising Bill. The legislation provides that the name of a famous musical group cannot be used by a group of performers unless they include at least one member of the original group. The intent of the legislation is to prevent unfair or deceptive trade practices, and to protect the livelihood of musicians who were in famous musical groups. This bill is supported by the RIAA, artists organisations around the country as well as in Georgia. It passed through the Consumer Affairs committee unanimously. It will go to the Rules committee next.
HB 508 Introduced by Kasey Carpenter (R-Dalton Ga District 4). This bill is similar to the SB157 in providing protection to legacy artists names and unfair trade practices. Additionally it requires online sites that deal “in substantial part in the electronic dissemination” of commercial recordings or audiovisual works to properly display true name and address information on the site. The law is the online equivalent of True Name and Address statutes across the country intended to protect consumers and the legitimate marketplace. Currently, Tennessee and Florida have these already in place. This is supported by the MPAA, RIAA, Artists Rights Coalition, labels and artists. This bill will be going in front of the House Creative Industries Committee for the first hearing.
HB486 Introduced by Representative Beth Moore( D-Peachtree Courners, District 95). This standalone bill would provide musical licenses used in qualified productions of film, tv, video games to be counted towards the minimum spend provided the composition is created, held by Georgia based composers. This legislation would incentivise film/tv and digital entertainment company to use songs and compositions from Georgia based creators. This bill will be going in front of the House Creative Industries Committee for the first hearing.
Below are our social links and terms of use:
Chris: http://www.christiancastle.com/chris-castle
David: https://twitter.com/davidclowery?s=20
https://www.instagram.com/davidclowery/
Nik: https://www.instagram.com/nikpatelmusic/
Website: https://artistrightswatch.com
Facebook: https://www.facebook.com/artistrightswatch
Twitter: https://twitter.com/ArtistRights?s=20
Terms of Use: https://artistrightswatchdotcom.files.wordpress.com/2021/01/arw-podcast-terms-of-use-v-1-i-1.pdf
Thursday Jun 17, 2021
Thursday Jun 17, 2021
Nik Patel, David Lowery, and Chris Castle feature in this podcast where they discuss the current issues of artists’ rights in the music industry. Don't forget to subscribe, rate, and share!
On the first episode of the Artist Rights Watch, Nik Patel, David Lowery, and Chris Castle sit down with Ivors Academy Chair, Crispin Hunt to talk about the frozen mechanical royalties crisis currently playing out in the United States and how it threatens UK songwriters and indeed songwriters around the world.
Crispin gives us his invaluable analysis of how the frozen mechanicals crisis affects songwriters around the world and the highly effective #brokenrecord and #fixstreaming campaigns that Ivors Academy supports in the UK that has lead to a parliamentary inquiry and legislation introduced in the UK Parliament.
The “frozen mechanicals” crisis is rooted in a private deal between big publishers and their big label affiliates to essentially continue the freeze on the already-frozen U.S. mechanical royalty rate paid by the record companies for CDs, vinyl and permanent downloads. The private deal freezes the rate for another five years but does not even account for inflation. Increasing the royalty rate for inflation, does not actually increase songwriter buying power.
The major publishers and labels have asked the Copyright Royalty Board in the US to make their private deal the law and apply that frozen rate to everyone.
In the past, the music industry has experienced a $0.02 mechanical royalty rate that lasted for 70 years, and with the current mechanical royalty rate of $0.091 being set in 2006, advocates hope it’s not a repeat of the past.
In this Artist Rights Watch episode, we cover its numerous implications and consequences such as controlled compositions clauses, the Copyright Royalty Board, CPI and fixed increases, how the UK compares, and potential resolutions.
Below are some links for further reading on frozen mechanicals and Crispin Hunt:
Controlled Compositions Clauses and Frozen Mechanicals. Chris Castle
https://musictechpolicy.com/2020/10/10/controlled-compositions-clauses-and-frozen-mechanicals/
What Would @TaylorSwift13 and Eddie @cue Do? One Solution to the Frozen Mechanical Problem. Chris Castle
The Trichordist posts on frozen mechanicals
https://thetrichordist.com/category/frozen-mechanicals/
The Ivors Academy Joins the No Frozen Mechanicals Campaign
https://thetrichordist.com/2021/06/07/the-ivors-academy-joins-the-no-frozen-mechanicals-campaign/
Year-End 2020 RIAA Revenue Statistics
https://www.riaa.com/wp-content/uploads/2021/02/2020-Year-End-Music-Industry-Revenue-Report.pdf
Crispin Hunt
https://www.musicbusinessworldwide.com/people/crispin-hunt/
Songwriter Mechanical Royalty Income Questionnaire Survey: https://www.surveymonkey.com/r/TTPKW8Q?fbclid=IwAR3RUsoiUJPuNjPxrhxN-ZnmdapXiwOmvOpqCvEKuGLOszPhcmP1Ae9vO3U
Below are our social links and terms of use:
Chris: http://www.christiancastle.com/chris-castle
David: https://twitter.com/davidclowery?s=20
https://www.instagram.com/davidclowery/
Nik: https://www.instagram.com/nikpatelmusic/
Website: https://artistrightswatch.com
Facebook: https://www.facebook.com/artistrightswatch
Twitter: https://twitter.com/ArtistRights?s=20
Terms of Use: https://artistrightswatchdotcom.files.wordpress.com/2021/01/arw-podcast-terms-of-use-v-1-i-1.pdf